reydeo see1

 do now 

1, 1hour 30 mins

2, audience and industry

3, representation

4, mark a min 10 mins prep for 25 marker 

5, agree or disagree

radio: the archers 

Any broadcasting regime with the ideal of giving priority to the interests of the general public rather than commercial interests, often framed as giving the public what it needs rather than what it wants, offering a forum for disseminating information within the public sphere (see also balanced programming;

Commercial radio stations make money by selling advertising. Having a large listening audience leads to more advertisers. The more advertisers a station has, the more it can charge for its advertising. National Public Radio stations represent public or non-commercial radio.

Community radio stations are operated, owned, and influenced by the communities they serve. They are generally nonprofit and provide a mechanism for enabling individuals, groups, and communities to tell their own stories, to share experiences and, in a media-rich world, to become creators and contributors of media.

a digital audio file made available on the internet for downloading to a computer or mobile device, typically available as a series, new instillments  of which can be received by subscribers automatically.

Digital Audio Broadcast, (DAB) Radio uses digital technology to distribute your favourite radio stations. Due to the digital method of broadcasting, more stations including unique digital only stations are available in digital clear audio. DAB+ enables even more radio stations to be broadcast.

RAJAR stands for Radio Joint Audience Research and is the official body in charge of measuring radio audiences in the UK. It is jointly owned by the BBC and the Radio centre on behalf of the commercial sector

Licence-free radios are generally lower-powered, handheld radios with a maximum power output of 0.5 watts. This gives them a much shorter range than their licensed counterparts. Licence-free radios are more often referred to as "walkie talkies" than their higher-powered, licensed counterparts.

What is a Royal Charter? A Royal Charter is an instrument of incorporation, granted by The King, which confers independent legal personality on an organisation and defines its objectives, constitution and powers to govern its own affairs.

This outlines a broadcaster’s area of responsibility.   

Electromagnetic radio frequency (RF) convergence is a signal-processing paradigm that is utilised when several RF systems have to share a finite amount of resources among each other.

1, bbc radio 1,2,3,4,5

2,The remit of Radio 1 is to entertain and engage a broad range of young listeners with a distinctive mix of contemporary music and speech. Its target audience is 15-29 year olds and it should also provide some programming for younger teenagers.

3,

Friday 6th December 2089

Radio 

do now 

1, Any broadcasting regime with the ideal of giving priority to the interests of the general public rather than commercial interests, often framed as giving the public what it needs rather than what it wants, offering a forum for disseminating information within the public sphere (see also balanced programming;

2, advertisements 

3, News and current affairs, including Sports Desk, Weather and Thought for the Day.

4, Ofcom

5, free radio Spotify , larger range in pallet/ choice in options 

dab radio gives better sound in comparison to old fashion grandpa radios

you can lisn to Digital radeo in an podcasting or a catch up session but cant on in an oldy radeo

88% of the uks adult population listened to the radio each week thats 49.5 million

commercial radios share was 54%up from 2022 50%

total combined listening is now 72%

this is mainly dab which is 42%and online is 26%

all bbc radio listening figures were down other than bbc 2 

entertainment

information

personal identity

the archers 

the archers is the longest running radio soap opera

a contemporary drama in a rural setting 

intentions were to communicate information about modern food methods to increase farming as they were still in food rationing 

today its an informative rural community issues to do with country side 

ITS LIKE FIRE MAN SAM 🧯🧑🏻‍🚒

VILLAGE IS CALLED AMBLESIDE 

old

boring

boring

boring

fast paced

quick changing 

informative

violent

traditional target audience for soap operas is women or matriarch 

family

work

relation ships

or they just feel like killing each other 

cliff hangers 

drama conflict between characters 

Aside from the regular radio slot, listeners can catch up with the omnibus on a Sunday, hear recent episodes repeated on BBC Radio Four Extra, download the podcast, or listen 'on demand' through BBC iPlayer Radio.

some people may not want to watchat that time because its bad for there day so offering another segment to listen gives a wider range in audience and allows more listeners

Tuesday 345th January 2037

 set episode 

do now 

1 2027

2 bbc radio 4 

3 cliff hangers, conflict 

4 every day

5 inform educate and entertain

6 million listeners 

 

The Archers is some boring radio show featured o the radio based in a rural community with 5 million listeners , the soap opera in an ongoing ,longest running soap opera starting in 1951 . the opera begins daily at 7 pm except for Saturdays. each episode is 13 minutes long and are based on farming, relation ships and set in world war two. you can also watch this on demand.

production 

  made in birming ham 

 on big story line, smaler ones in between

 

helen

mick

Gavin 

time isn't on our side

curstay

philip

dont trust the dude with covid 

emma

joy

gulp

George

Blake

Kenzie

some dude killed some people

mrs Chadwick

warm mince pies are for weirdos 

setting up something for kids 

- sigma Brian Aldridge 

demographics, facts

psychographics, beliefs attitudes goals

 white british

women

55+

Home work 

1, Public service radio and commercial radio differ primarily in their funding models. Public service radio is typically financed through funding from government sources, listener donations, or a license fee paid by listeners. This model aims to prioritize content that serves the public interest, offering program diversity and educational content without the influence of commercial advertising.

In contrast, commercial radio relies on advertising revenue as its primary source of funding. This means content is often tailored to attract advertisers, leading to a stronger focus on music, talk shows, and entertainment that appeals to broad audiences. As a result, commercial radio tends to have more frequent advertisements and a programming style that aligns closely with market demands. 

Ultimately, the differences in funding lead to varied content priorities and methods of engagement with audiences, showcasing the distinct roles these types of radio play in the media landscape.

2, The BBC utilizes various platforms for distributing its radio programs, effectively reaching a diverse audience. One notable example is "The Archers," a long-running radio drama that exemplifies this multi-platform approach.

Firstly, traditional radio remains a primary channel, with "The Archers" being broadcast on BBC Radio 4. This platform allows the program to tap into its established listener base, providing a familiar auditory experience. Alongside live broadcasts, the BBC also offers on-demand listening via BBC Sounds, enabling audiences to catch up on missed episodes or revisit favorites.

Additionally, the BBC leverages digital media through podcasting. By offering "The Archers" as a podcast, listeners can consume the content at their convenience, further enhancing accessibility. This is particularly appealing to younger audiences, who often prefer on-the-go listening.

Social media platforms also play a crucial role in engaging listeners. The BBC promotes "The Archers" on Twitter, Facebook, and Instagram, where they share updates, behind-the-scenes content, and interact with fans. This approach creates a community around the program, fostering loyalty and encouraging viewer feedback.

Moreover, the BBC's website provides a dedicated section for "The Archers," featuring episode guides, character insights, and interactive content. This not only enriches the listening experience but also serves as a resource for engaged fans.

In summary, the BBC effectively uses radio, on-demand services, podcasts, social media, and its website to distribute "The Archers," catering to varied preferences and ensuring that the program remains relevant in the modern media landscape.

3, The Uses and Gratifications Theory offers a framework for understanding how individuals actively seek out media to satisfy their specific needs and desires. In the context of "The Archers," a long-running radio drama, this theory can be observed as listeners engage with the program to fulfill various psychological and social gratifications. For instance, many fans may tune in for emotional engagement, as the complex characters and rich storylines often mirror real-life experiences, providing listeners with a sense of connection and understanding. The diverse themes explored in the show, such as community struggles and personal challenges, resonate deeply with an audience seeking solace or companionship through shared narratives.

Moreover, "The Archers" serves as a platform for information and education, particularly regarding rural and agricultural issues. Within the framework of Uses and Gratifications, listeners may seek out the series for its informative content, gaining insights into farming practices, sustainability, and socio-economic issues affecting rural communities. This informational aspect can enhance listeners' knowledge and contribute to their understanding of contemporary societal challenges, making the show not just a source of entertainment, but also a valuable educational resource. The portrayal of real-life issues in an engaging format encourages active listening and participation among the audience.

Additionally, the social aspect of "The Archers" cannot be overlooked. As a form of communal media, the program facilitates a sense of belonging among its audience. Listeners often discuss episodes with friends, family, or in online forums, creating a shared experience that enhances their enjoyment. The importance of community in the show is mirrored in its audience's interactions, forming bonds through their collective engagement with the content. This exemplifies the Uses and Gratifications Theory, as individuals actively choose to invest time in "The Archers" to fulfill their social needs, connecting with others and sharing insights into their favorite characters and story arcs. Overall, the multifaceted appeal of the show highlights how media consumption is driven by the diverse gratifications sought by its audience.

Genres are not static; they evolve over time due to various cultural, social, and technological influences. Steve Neale's theory of genre indicates that conventions can change as audiences’ expectations shift. This transformation can be seen in crime dramas, where character archetypes and narrative structures adapt in response to contemporary societal issues and viewer preferences. In the crime drama "Luther," John Luther embodies many typical characteristics associated with the genre. He is a complex detective, driven by personal demons, which is a hallmark of modern crime narratives. For instance, in the episode "Luther," his relentless pursuit of justice often leads him into morally ambiguous situations. His intense dedication, coupled with his emotional volatility, illustrates the common trope of the flawed hero. Luther's tendency to break the rules to achieve his goals aligns with genre expectations, presenting a protagonist who is both relatable and compelling. Alice Morgan, on the other hand, is a less conventional character for a crime drama. While she exhibits traits of the archetypal femme fatale, her intellect and unpredictability redefine her role. In the same episode, her interactions with Luther demonstrate a complex relationship that transcends simple good versus evil dynamics. Rather than being merely an antagonist, Alice acts as Luther's intellectual equal and moral foil, challenging societal perceptions of female characters in the genre. This complexity adds depth to the narrative, making viewers question traditional character roles. Zoe, Luther’s ex-wife, provides a contrast to both John and Alice, marking her as a less conventional character. While she appears to fit into the supportive partner trope, her resilience and autonomy set her apart. In this episode, Zoe's ability to stand her ground against Luther's tumultuous behavior showcases a departure from the typical victim role often found in crime dramas. She is not merely a bystander in Luther's life; she has her own agency and story arc, reflecting an evolving picture of female representation in the genre. In conclusion, the characters in "Luther" reflect a mix of typical and less conventional traits within the crime drama genre. Luther and Alice represent the complex interplay of heroism and villainy, while Zoe challenges the conventional role of women, ultimately enriching the narrative. Collectively, these characters illustrate Neale's assertion that genres evolve, adapting to societal changes and viewer expectations, making "Luther" a noteworthy example of contemporary crime drama.